Wednesday, 16 October 2019

Indie Electronic Producers Solstis Have Released An Expertly Crafted New EP As The Sun Hits

Indie Electric duo Solstis have released their new EP As The Sun Hits. The EP was released via Lowly Palace on the 11th of October. The EP, the first in a 3-part series, is aimed at highlighting Solstis’ new sound. Since their formation in 2014, the Seattle-based duo have enjoyed major success. Their viral hit ‘Echoes’ and their captivating remixes for singer-songwriter Melanie Martinez. Collectively the pair have racked up over 25 million plays on streaming platforms across the board.

Duo Andy Garcia and Brandon Myers started collaborating in high school 10 years ago. After delivering their debut album Nowhere in 2018, Solstis shifted away from point-and-click creations to avenues of easy-listening instrumentation.

The duo gives some insight about their new EP, “As the Sun Hits is a 3-part EP series highlighting our new sound. Influenced by 90s shoegaze and melodic bass, we wanted to use this project to transition away from an animated aesthetic portrayed by mechanic future bass to a more organic, wholesome instrumental focused appeal. The new aesthetic is highlighted by warm colors, everyday scenery and pixelation to bring the listener a sense of escape and clarify within the daily situations they constantly experience.”

As the Sun Hits (EP) Tracklist:
01. Lost
02. About You
03. Miss You
04. Horizon

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Indie-country rock band A Thousand Horses releases a new song ‘Livin' My Best Life’

Acclaimed country rock band A Thousand Horses have just released the brand new single, ‘Livin’ My Best Life’. Produced by Grammy Award-winning producer Dave Cobb and recorded at Nashville’s historic RCA Studio A, ‘Livin’ My Best Life’ is the first track unveiled from the band’s forthcoming new album, which is set for release next year. The album is A Thousand Horses’ first project in partnership with Cobb’s Low Country Sound imprint at Elektra Records. Additional album details to be announced soon.

Of reuniting in the studio with Cobb, guitarist Zach Brown shares, “Dave’s been a long-time supporter of the band. He’s always really believed in us and gets our vision, and always has. I mean, we named our band in his studio 10 years ago. It’s amazing this journey we’ve had with him.” Adds fellow guitarist Bill Satcher, “Dave is a brother. It’s great to get in there and make records with your friends. He is like an additional member of the band in that situation.”

The release of ‘Livin’ My Best Life’ adds to a series of breakout years for A Thousand Horses following their acclaimed full-length debut Southernality in 2015. The album’s lead single, ‘Smoke’, reached #1 on Billboard’s Country Airplay chart, which made them the first group to top the chart with a debut single since Zac Brown Band’s ‘Chicken Fried’ in 2008.

Of the band, Rolling Stone praised, “country music’s new Lynyrd Skynyrd…a muscular mix of radio country and Southern rock,” while CMT declared, “stellar…the quartet is learning from the best, making records they believe in, being true to themselves, their artistry and making it happen.” Most recently, the band released 2017’s deluxe EP, Bridges, of which Sounds Like Nashville hailed, “showcases what A Thousand Horses do best with a mixture of heavy Southern rock influences and nostalgic country storytelling that will have listeners begging for more.”

Based in Nashville, TN, A Thousand Horses is Michael Hobby (vocals), Bill Satcher (guitar), Zach Brown (guitar) and Graham DeLoach (bass). Since their debut, the band has toured extensively across the world including dates supporting artists such as Jason Aldean, Darius Rucker, Lynyrd Skynyrd, Gregg Allman and more.

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Tuesday, 15 October 2019

UK-based indie-rock band October Drift announces new debut album and song ‘Forever Whatever’

October Drift have shared their new single, ‘Forever Whatever’, the title track from their upcoming debut album, which will be released on January 24th via Physical Education Records. The band are currently on a UK headline tour and will play Manchester’s Night & Day Café tonight (October 4th).

A juxtaposition of calm and chaos, the track combines the brooding emotion of Joy Division and New Order with the volatility of The Bends-era Radiohead. Swelling and anthemic, the track opens to an engulfing explosion of distorted guitars, before hushed verses highlight the track’s elegiac yet hopeful lyricism. Frontman Kiran Roy’s potent vocals are set against resonant instrumentals, before launching into a chorus charged with immersive intensity.

“We've never really cared about being fashionable,” says Kiran. “Most of our peers are making politically charged music - which is understandable and important - but that's not what comes naturally to us. We've always written from a space that's more personal. I take my faults and fears and mould them into something more positive; be it loneliness, teenage angst, or inadequacy.

“I try to put a positive spin on these internal struggles in the hope that a feeling of optimism will reflect onto listeners who are dealing with the same emotions. My favourite music always feels relatable, like you’re feeling the same as the artist, even though their intention might not match your interpretation. That’s what we’re aiming for in our lyrics – a relatability to everyday life.”

‘Forever Whatever’ follows their previous singles ‘Losing My Touch’ - released earlier this year - and ‘All Broken Down’ and ‘Come And Find Me’, released to widespread acclaim last year. With influences as varied as The National, Radiohead, Interpol and Nick Drake, their heavy, pop-inflected rock is delivering a rejuvenating injection of fresh blood to the genre.

October Drift’s debut album, Forever Whatever, is a cathartic collection of tracks encompassing themes of loneliness, fear and ultimate positivity, and builds on the solid foundation that they have built over years of touring and writing to cement themselves as an important and powerful new presence.

One of the most electrifying, charismatic and formidable live acts of the past two years – with appearances at festivals including Glastonbury’s John Peel stage, Reading & Leeds and The Great Escape, as well as a major European tour with Editors in 2018 and a slot at Liverpool’s Sound City – the band look certain to ascend to even greater heights in 2019.

4th – Night & Day Café, Manchester
5th – King Tuts Wah Wah Hut, Glasgow
6th – Bootleg Social, Blackpool
8th – The Parish, Huddersfield
9th – Picture House Social, Sheffield
10th – Portland Arms, Cambridge
11th – Kasbah, Coventry
12th – The Met Lounge, Peterborough
14th – The Sugarmill, Stoke-on-Trent
15th – The Cookie, Leicester
16th – The Craufurd Arms, Milton Keynes
17th – The Star inn, Guildford
18th – Railway Inn, Winchester

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Friday, 11 October 2019

Lyricist and vocalist Jacob Lee shares his 'Sorrow' poetic reading of song

Australian musician Jacob Lee has been displaying his love for poetry proudly this year. Lee has just released a poetic rendition of his own track, ‘Sorrow’. The single was originally released around mid-September and premiered via Rolling Stone India. The official music video followed shortly afterwards with the video for the poetic reading marking the beginning of October.

Lee is known for releasing music wrought with emotion however the simple reinterpretation of his own work leaves the listener reeling with sentiment. Writing lyrics from such a clearly personal place can be a risky move for many artists with the concept coming across as contrived. However, you can see the delicate balance Lee strikes consistently with his upcoming release of Jacob Lee's Book of Lyricism (Vol 1) later this year.

The singer/songer writer strives to engage with his fans and the public as much as possible, with a community page even being set up on Facebook for his fans to connect with each other. Lee himself is fairly active on this page, pushing to absorb external influences and learn more about the ever-changing nature of people.

Speaking of the track he notes: "'Sorrow' came from one of the most difficult nights of my life. The song describes in detail the night itself from two different perspectives. I think anyone who's been through intense heartache will relate to this one"

Follow Jacob Lee:
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Thursday, 10 October 2019

Interview with indie-electronic meets folk producer Mammals

Australian producer and multi-instrumentalist Guy Brown, well know as Mammals composed and produced music for advertising and films for many years. He felt the urge to reignite his creativity, so in 2016 he quit his full-time job and relocated to Mollymook. From there, he embarked on a year of world travel and songwriting to piece together what would become his own soundtrack to escapism, his sophomore EP Chase Your Bliss.

A number of tracks were released last year by Mammals, which includes L D R U’s ‘Can’t Drive’.The time has come for Mammals to come out of hibernation once again, as some of his most exciting new material joins us in 2019.

Looking back, what were some of your earliest entries into music appreciation? And music production?

My eldest brother was and still is a super eccentric dude. Growing up, he would always be putting on shows and musical numbers at the house, that we would all get involved in. With my father being a huge music lover, I recall jamming to Blues and Old School Rock before I knew what was going on.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

Melodies are usually inspired or searched for after I have produced a beat, or have a rough idea growing. Sometimes it's hard to hear what my subconscious is trying to say until I crack a word or phrase. Everything seems to click from then on.

So many times I’ve found myself forcing a song out, endless hours of writing shit. But in magical moments, they can come out naturally and honest. From the person you truly are.

I live really close to the beach and epic surf which allows me to step back from the studio and take my palette into the water with me. A lot of the time I’ll listen to the instrumental last before going for a surf. This is where a lot of great ideas come from.

What gets your creative juices flowing?

An epic view, Jameson or night time. It’s all about the vibe. Bouncing ideas off other people really brings out the best stuff. My ideal beat making evening consists of comfy pants, fairy lights, and loud beats, getting politely loose to really get in the zone in different states of mind.

I also find that being hungover, emotional or alone really exposes honesty in my writing. I remember performing at Splendour In The Grass with LDRU in 2018. The after-party never stopped until it finally hit like a tone of bricks. I found myself back home searching for meaning over some simple chords on my balcony. This is how my latest single 'Calm Down' was written.

As a musician, it becomes apparent that there is a huge difference between the art and the business. Is there anything about the music scene that you would personally change?

I’d just like to see Sydney's music scene back again. Some of my fondest memories are hitting up random joints and bars discovering new bands. The NSW government has ruined our culture and crippled small businesses with their lockout laws, ultimately destroying the music scene. As of yesterday (amazingly enough) they have removed the laws, but the damage has been done. It will take years before we catch up to the other cities of the world.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

There have been moments alone in the studio that I absolutely love. Working on new music, being immersed and disconnected from anything else going on in the world is such an amazing feeling. It’s kind of like being in a dream, then you snap out of it and get to see where you went the next day. Sometimes it can work out epic, other times I listen and go, ‘What the fuck was I thinking?!’ But that's cool too!

I find I put a lot of pressure on myself to try and write a single or something that other people will like, however, looking at the big picture of music creation my most memorable experiences are just living in that zone and following random things that may never see the light of day.

I also have a deep love for electronic and techno music. I make heaps of it that I have never released. Those nights are so sick. Maybe one day.

Then, the other beautiful side of music is performing live. That’s when I really get lost. The energy of an audience is a powerful thing. Everyone is connected for a moment. I can’t wait to tour again.

What is the most memorable response you have had to your music?

A few years back we supported ‘The 1975’ on their Australian tour. The Sydney show was nuts. Chicks were cueing up around the block of The Enmore from 6 in the morning. My music, my no means is moshed pit material, but there were literally young girls getting dragged out of the crowd passing out and crying. I'm not too sure if any of them knew who we were but it was just a trip.

Also, personal messages from people across the globe really melt my heart. It really makes all the difference to hear that something I have created resonates with another person's experience in this crazy world we live in.

What's on your current playlist?

Oh man, how good is listening to music for the 1st time? In my ‘Yummy And Fresh’ playlist on Spotify, we have ‘Cola Boy’, ‘Will Van Horn’, ‘Kazam’ and ‘Mild Life’. ‘Damn Magnificent Moon’ is such a jam. Some Greg Phillinganes. Other vibes I’m loving atm ‘Khruangbin’, ‘Connan Mockasin’ and ‘Jon Hopkins’ forever.

Breakdown the news for us: what can we expect from you in the near future?

Rumour has it there is another EP this year. Is there? who knows. I guess we shall find out.

Famous last words?

Should have eaten the taco.

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Friday, 4 October 2019

Singer/songwriter William DuVall releases his debut solo album 'One Alone'

Few musicians have had a career as artistically diverse and successful as Alice In Chains frontman, William DuVall. From forming legendary Atlanta hardcore band Neon Christ as a teenager in 1983 all the way to his 2016 supergroup collaboration Giraffe Tongue Orchestra (with members of Mastodon and Dillinger Escape Plan), DuVall has carved out his own unique place in the firmament for over 35 years.

Now he’s on the verge of releasing his first-ever solo album One Alone, sharing brand new song ‘White Hot’ ahead of the album’s grand unveiling this Friday.

One Alone is a smoldering, all-acoustic affair. In contrast to the multi-layered sonic assault, comprising most of his discography, One Alone is as sparse and intimate as it gets – part late-night confessional, part living room concert. As William describes it, “I felt the need to peel everything back. This album is strictly one voice, one guitar. It reveals the very core of who I am as a singer, guitarist, and songwriter.”

The album’s first single, ‘'Til The Light Guides Me Home’, is a song of redemption in the wake of tragedy. Inspired by a family break-up, it also hints at the larger implications of a planet seemingly descending into chaos.

From the romantic pleas of ‘Strung Out On A Dream’, ‘White Hot’ and ‘Still Got A Hold On My Heart’ to the betrayal of a close friend addressed in ‘The Veil Of All My Fears’, these solo acoustic performances cut right to the raw nerve at the heart of each song. Check out his recent Paste Magazine acoustic session here for a closer look at the emotional intensity oozing out of the music.

As a meditation on heartbreak, resilience, and hard-won wisdom, One Alone offers rewards that can’t be found anywhere else by an artist who continues to forge a singular path across a boundless musical landscape.

‘Til The Light Guides Me Home
The Veil Of All My Fears
The 3 Wishes
Strung Out On A Dream
White Hot
Still Got A Hold On My Heart
Smoke And Mirrors
So Cruel
Chains Around My Heart
Keep Driving Me Away
No Need To Wonder

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tiny deaths release tantalising new song 'Stop The Stars (Paper Tiger Remix)'

Los Angeles-based indie dream-pop duo tiny deaths have just shared their incredible new song ‘Stop The Stars (Paper Tiger Remix)' lifted from their Magic (The Remixes) EP that was released via Handwritten Records today. tiny deaths have already seen considerable media support, having been featured in The Guardian, Billboard, The 405, Stereogum, Earmilk, Clash Magazine and PopMatters, among others. They have graced the airwaves with radioplay on BBC Radio 1 with Huw Stephens, as well as US stations KEXP 90.3 FM, Radio K (KUOM), and The Current (KCMP), and have racked up over five million streams across all platforms. tiny deaths have shared the stage with Glass Animals, Matthew Dear, Sleigh Bells, Mr. Little Jeans, How to Dress Well and will play three dates alongside Pale Honey in October.

tiny deaths are made up of their vocalist Claire de Lune and producer Grant Cutler. Claire always knew that she was destined to immerse herself in the arts as she began to write songs at the tender age of five. Grant has a background in mixed media and art installations and is the architect of the band’s electronic elements.

In the Paper Tiger remix of ‘Stop The Stars’, we see the song enter into ambient territory with a strong driving bassline coming through at the halfway point, turning the track away from any expectations the listener may have had for it. The occasional chimes appear whenever it feels like the cadence of the song will escape the predetermined pace, providing a sense of structure not usually associated with the instrument. The song has masterfully been produced and will make your ears melt with joy as you are transported to another stratosphere.

Claire gives some insight into the remix:I was so excited to work with John (Paper Tiger), a Brooklyn based producer and member of the Minneapolis hip-hop collective Doomtree,  after years of crossing paths and almost but never quite finding a way to work together. I think John has a super unique ear and we were so excited to hear how he flipped “Stop the Stars,” one of our favourite songs from the album.” She goes on to explain the origins of the EP:This project has always lent itself to remixing and we've had a few unofficial remixes pop up over the years, so it only felt right to do an official remix EP. I reached out to some of my favourite producers I've encountered over the years to take a crack at the songs and was so happy with the results. Grant even remixed one of the songs himself! It's really cool to breathe new life into a project that's been out for a year, especially one we're so proud of.

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Thursday, 3 October 2019

Interview with singer/songwriter Joel Ansett

Denver based singer/songwriter Joel Ansett became a musician from his early teen years but only started songwriting in college, garnering enough momentum from shows at coffee shops and events around campus. Joel sings with a conversational quality that brings warm feelings of empathy around his experiences.

Joel Ansett launched a crowdfunding campaign in May of 2018. Without missing a beat, fans and friends came out of the woodwork to make a second album possible. He spent the second half of 2018 recording ‘A place I knew before’, produced by Jon Joseph(Borns, Gungor, The Technicolors) at Crushed Velvet Recording in Los Angeles.

Looking back, what were some of your earliest entries into music appreciation? And music production?

I remember loving Handel's Messiah as a kid and just loving how the sound of a choir can be so beautiful and dramatic. For music production, I remember one college summer I basically locked myself up in the basement and spent hours trying to record one song. I basically spent a whole month on just one song and I fell in love with recording and creating that summer.

Take us through your songwriting process. Are there any particular steps you take when putting music together?

I think songwriters are idea collectors. I'm always collecting ideas - a phrase here, a song title there, a melody, a chord progression, etc. And then when I sit down to write, I have the opportunity to mix and match all the little ideas I've been collecting and see if they can become a song.

What gets your creative juices flowing?

Books and movies almost always make me want to write songs.

As a musician, it becomes apparent that there is a huge difference between the art and the business. Is there anything about the music scene that you would personally change?

Oh wow haha. Yes, definitely. I don't really know enough about the specifics of how the music business is run, but the big picture is that the art and business really are opposed to each other. Music is a gift and it's difficult for artists to function when the business is built on music being a commodity.

Studio work and music creation or performing and interacting with a live audience, which do you prefer?

I really thoroughly enjoy both. There's a whole lot more anxiety surrounding the live performance, but I enjoy the rush of it.

What is the most memorable response you have had to your music?

There's been a couple of instances where I'll look out and see someone's eyes watering during or after a song. When that happens I just fall back in love with the way music can connect with people and destroy lies of loneliness.

What's on your current playlist?

Kevin Garrett, Tourist, Brittany Howard, Phoenix

Breakdown the news for us: what can we expect from you in the near future?

I just released a full-length album about a month ago and I'll be doing my own little house show tours for the next few months. I will then hopefully jump on a tour as an opening act and put out a few new singles.

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Tuesday, 1 October 2019

Indie duo Firewoodisland release inspiring song, 'Hollow Coves'

Indie duo Firewoodisland have just released their latest single, ‘Hollow Coves’ via their own label. The track was premiered through Popmatters who described it as, “saturated by everything that typically makes their work so significant. It easily ranks among the best pieces they've ever released”. You can read the full premiere here.

Firewoodisland is comprised of Stian Vedøy and Abi Eleri who hail from Norway and Cardiff respectively. The duo’s alias comes from a direct translation of Stian’s surname, reminiscent of the days when it was a solo project for him. This changed when Stian met Abi.

The two tell us a little more about the track, "Hollow Coves is about reaching the point of having nothing left to give and meeting someone with a fresh perspective who breathes new life into those empty places. It acts as a reminder that we’re not made to do life by ourselves."

The concept is one that many people in this current day should be able to relate to. Vedøy puts it into the best terms with his lyrics as he says, ‘Leave no stone unturned, a feeble light discerned’. The song stands to encourage self reflection, a concept many modern artists appear to be embracing.

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Thursday, 26 September 2019

Singer/Songwriter K.Flay shares new music video for 'Not In California'

Night Street/Interscope Records alt-pop artist K.Flay has released the video for ‘Not In California’. Directed by Clara Aranovich, the video comes on the same day that the United Nations Climate Action Summit begins in New York City, and addresses “our collective inaction on climate change, and the sense of disbelief that I think so many of us feel,” The GRAMMY® Award-nominated artist reveals.

“We're looking out at a world that is getting hotter and scarier by the day, and still nothing seems to compel the government to take action. The video imagines a trash universe in which social isolation and littering and bad policing are the status quo -- a universe that doesn't feel so different from ours now.”

‘Not In California’ perfectly showcases K.Flay’s ability to deliver razor-sharp, brutally honest lyrics and spitfire rhymes. “The babies all cry as the scientists try but the politicians keep on screaming. I’d like a road map, like to turn the clock back but the internet it keeps on freezing,” she sings.

‘Not In California’ is from her third full-length album Solutions, which dropped earlier this year to critical acclaim. It was championed by the likes of the Observer, Sunday Times, Dork, Gay Times, Financial Times, Rock Sound, Classic Pop, Nylon, NPR, Under The Radar, The New York Times and many more.

It’s the third to be released chronologically the album, yet narratively it serves as the prequel to ‘Bad Vibes’, revealing how and why she was captured, with ‘Sister’ being the closing chapter, where our heroine escapes captivity with her female companion, only to find themselves in a world where everyone is moving backward.

K.Flay is currently in the midst of The Solutions Tour, which kicked off earlier this month. Following a 19-city run in North America, she’ll venture to the UK performing in Birmingham, Bristol, Glasgow, Manchester and London before heading off across Europe.

18th - Birmingham, UK - O2 Academy2
19th - Bristol, UK - Thekla
21st - Glasgow, UK - St Luke’s
22nd - Manchester, UK - Gorilla
23rd - London, UK - Heaven

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Monday, 23 September 2019

British singer Chantitown stands 'Strong In Broken Places' with latest song

This weekend Chantitown shared her latest track, ‘Strong In Broken Places’. The track was premiered via Vents Magazine and you can read the premier here. There is a poetic rhythm that shines through as the singer states half the lyrics whilst singing the other half.

“I like playing with words, rhythm and sounds. I felt this song lent itself well to be sung as if I was reading a poem. Strong in Broken Places comes from an honest place, I think you can hear the truth right until the very end.”

‘Strong In Broken Places’ comes ahead of her unreleased EP, Camouflage, which will be shared near the beginning of October. We're hoping she'll release at least one more single to tide us over until then.

Camouflage EP Tracklist:
01.  Strong in Broken Places
02.  Alive
03.  Young and the Foolish
04.  Somebody Else

Last year, Chantitown also released the dramatic music video for ‘Mother of Sun’ set on a picturesque beach and framed by a pronounced grey sky. The full-length black dresses of both the mother and child provide a stark contrast to traditional beachwear. We’re looking forward to seeing the music video for ‘ Strong In Broken Places’, if the songstress chooses to do one.

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Friday, 20 September 2019

singer/songwriter Sean McGowan announces new EP ‘Curate Calm, Create Chaos’

A punk, poet, and pacifist all at once, Sean’s latest collection arrives very much like an extension of the artist himself. Stepping momentarily away from the frenetic indie-punk that coursed through the veins of his acclaimed debut album ‘Son of The Smith’, Sean’s latest release instead delivers an altogether more tender and introspective listen.

After the Southampton singer-songwriter found his life suddenly turned upside down by a series of monumental changes beyond his control, he reached into his soul and found these five new songs: ‘I’m OK’, ‘Heart Breaker’, ‘Silk’, ‘Money’ and ‘Queen of The West’. Now compiled as his ‘Curate Calm, Create Chaos’ EP, together the tracks spin a deeply personal narrative that charts Sean’s journey as he navigated his way through these stormy waters.

Opening up about the ‘Curate Calm, Create Chaos’ EP, Sean says:

“‘Curate Calm, Create Chaos’ was born from a particularly turbulent time in my life. A string of events knocked me for Six. I identified five of the causes and used them as the foundations for songs. I always try to write honestly and personally. I feel like the only way someone could relate or engage with my music is if it's 100% the truth. CCCC is about being self-aware enough to accept things aren't right and trying your hardest to fix ‘em.”

His first new material to emerge since his debut album last year, ‘Curate Calm, Create Chaos’ is subdued and stripped-back, raw and reflective, and together illuminates Sean’s songwriting talents going from strength to strength.

In support of the new release, Sean will be hitting the road for a series of UK & Irish gigs throughout the Autumn. Supporting Xtra Mile Recordings label-mates Brand New Friend on their upcoming Irish Tour this September, Sean will also be taking in headline dates of his own throughout November and December which culminate with a pre-Christmas homecoming celebration at Southampton Joiners on Friday the 20th December. With tickets on sale now, the full dates and details for Sean’s upcoming tour plans can be found below.

19 Cork @ Winthrop Avenue **
21 Belfast @ Limelight 2 **

Thur 7 Nov Newport Le Pub
Fri 8 Nov Stourbridge Katie Fitzgeralds
Sat 9 Nov Winchester Railway
Thur 21 Nov Bideford Palladium
Fri 22 Nov Bristol Exchange 2
Sat 23 Nov Newquay Whiskers
Sun 24 Nov Glastonbury King Arthur

Sat 14 Dec - Manchester - Castle
Sun 15 Dec Nottingham Chameleon Café
Thur 19 Dec London Islington
Fri 20 Dec - Southampton - Joiners

Follow Sean McGowan online 

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Shed Seven announces new song ‘Going for Gold’

Set to be re-issued on the 18th October on Gold-coloured vinyl no less, the compilation will be something of a victory lap of the band’s historic Britpop years. With all featured tracks written and recorded by the original line-up of Shed Seven, the compilation brings together the very best of the band’s first three studio albums (‘Change Giver,’ ‘Maximum High,’ & ‘Let It Ride’), plus the twelve Top 40 singles clocked-up from their formation up to 1999. The album has been newly remastered in-full at the iconic Abbey Road Studios, London.

This deluxe two-vinyl set will also include the Parr Street Sessions; four fan favorites exclusively reimagined and recorded for the 1999 special edition CD version of ‘Going For Gold’ and now available on vinyl for the first time. The 2019 re-issue will also feature two previously unreleased live tracks from Shed Seven’s legendary Live at The Forum performance (recorded in London, 15.11.1996).

Since rising to fame in the 90s as one of the leading lights of Britpop, in 2017 Shed Seven released their first new album in 16 years 'Instant Pleasures’, which went top ten and achieved acclaim across the board.

In 2019, the Sheds will now release their ‘Going For Gold’ re-issue as they fittingly look forward to a tour of true champions.

Booked-in for a marathon UK stint of dates, Shed Seven will be performing at some of the nation’s most capacious halls throughout November and December 2019, including a home county show at Leeds First Direct Arena – their first-ever headline arena show! The tour which also marks the 25th anniversary of their first album release will feature a mix of Sheds classics and choice cuts from ‘Instant Pleasures’ including fan favorites‘ Room In My House’ and ‘Better Days’.

Of the upcoming tour Rick Witter said:

“We can’t wait to get back out on the road later this year to play some of our favorite venues and visit some brand new places. It’s always been the bands' ambition to play an Arena show and we are absolutely thrilled that finally we are getting to do this in our home county Yorkshire!! See you at the front.”

Due to phenomenal demand, the band recently announced additional shows at Glasgow O2 Academy, London’s O2 Academy Brixton and Manchester O2 Victoria Warehouse.

Shed Seven will release ‘Going For Gold – The Greatest Hits’ on 18th October 2019. Available on double 180g Gold Coloured vinyl in a Gold gatefold sleeve, the package will feature a 12×12 art print, plus an SoV digital download code. Full track-listing as follows:


Side A
Going For Gold
Disco Down
Getting Down
Chasing Rainbows

Side B
She Left Me On Friday
On Standby
High Hopes
Bully Boy

Side C
Devil In Your Shoes
Where Have You Been Tonight
Ocean Pie
The Heroes

Side D
Disco Down - Parr Street Studios, Liverpool
Going For Gold - Parr Street Studios, Liverpool
The Heroes - Parr Street Studios, Liverpool
Missing Out - Parr Street Studios, Liverpool
Chasing Rainbows - Live at The Forum 15.11.1996 – previously unreleased
Bully Boy - Live at The Forum 15.11.1996 - previously unreleased

Follow Shed Seven Online

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Thursday, 19 September 2019

Vocalist Leanne Tennant brings it back to her fans with latest music video

Singer Songstress Leanne Tennant has shared her moving music video for ‘Bring It All Back’. The video was directed by Jennifer Embelton, who also directed Tennants previous music video for ‘Cherry Cola’. You can check out some more of Embelton’s work here.

"The video invites you into its compelling, surreal, cinematic scenes set in familiar suburban landscapes. Exploring the theme isolation plays in the demise of a relationship, it shows how community and belonging can help you ‘bring it all back." Embelton shares a little more of the driving concept behind the music video.

The two manage to create a music video for a love song set in some of the least romantic places; underneath a washing line filled with cloths and at two different garages - one for filling up petrol and the other for repairs. Despite, this we get the romantic tone coming through clearly as the featured couples express the songs lyrics to each other.

Tennant has had a history of releasing impactful songs as her previous single, ‘Gentle Annie’ won the Queensland Music Award in the ‘Blues & Roots’ category in 2017. You can listen to the bluesy track below.

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